Llontop

Anonymous Ensemble’s Llontop celebrates indigenous Quechua culture and language and features the song poems of Quechua poet Irma Alvarez-Ccoscco. The piece is an intricately interactive installation of Peruvian heirlooms and a live film performance for both in-person and virtual audiences.

For the development of Llontop, the core members of Anonymous Ensemble (Lucrecia Briceño, Eamonn Farrell, Liz Davito, and Jessica Weinstein) are joined by director Ashley Tata, composer Paul Pinto, and poet Irma Alvarez-Ccoscco. Irma is a Peruvian Quechua language poet and digital language activist who came to the United States via a fellowship at Smithsonian’s National Museum of the American Indian.

The form of the piece is an evening-length, real space, and live streaming performance that layers music, poetry, and intricate media programming. The physical environment of the performance is an installation of objects that were handed down to Eamonn from his Peruvian grandmother that includes a collection of purportedly pre-Columbian pottery. The audience is invited to use their own mobile devices to frame and “recognize” specific machine learned views of the objects that will then trigger podcast-style audio content to stream to the audience member via headphones for an individualized audio journey through the installation. This interactive content serves to contextualize Irma’s poetry in the performance portion of the work.

Irma Alvarez-Ccoscco’s haunting song poems are set in specific moments in Quechua history from the brutal conquest of the Incas in 1532 through the eighteenth century indigenous uprising of Tupac Amaru II, and on up to the present. The dates for each poem are presented to the audience through luminescent khipus, the pre-conquest Andean technology that used a complex system of knotted cords to store data. The poems are performed using Anonymous Ensemble’s signature “live film” aesthetic with live mixing of multiple camera feeds, live projections, a lush soundscape, and a simultaneous live stream of the performance to online audiences throughout the world.

Screenshot from Zoom broadcast of workshop performance of Llontop at Mayday Space, December 2021

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Luminescent khipus depict dates of poems using the Andean system of data storage